The Early Years

1990 - 2000

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Narratives, Allegories, Capriccios

What narrative painting demands of the figurative artist is not only the capacity to invent figures and scenes without recourse to the staged model, but more importantly that Idea that Bernini prized as the essence of the artistic act. The mythological, allegorical, and sacred stories can still  be told and retold with novel interpretations: for example, my paintings of Apollo & Daphne choose a psychological moment after Daphne's transformation, evoking Apollo's remorse and Peneus' reproach. This is a wholly new take on the story, yet rooted in the tradition.

The pinnacle of narrative painting in the Renaissance was mural painting, especially buon fresco. I have painted frescoes for almost thirty years, having studied with renowned restorer Leonetto Tintori.